It has been said often enough that baby boomers are a television generation, but the very funny novel High Fidelity reminds that in a way they are the record-album generation as well. This funny novel is obsessed with music; Hornby’s narrator is an early-thirtysomething English guy who runs a London record store. He sells albums recorded the old-fashioned way—on vinyl—and is having a tough time making other transitions as well, specifically adulthood. The book is in one sense a love story, both sweet and interesting; most entertaining, though, are the hilarious arguments over arcane matters of pop music.
Hornby’s first novel, an international bestseller and instantly recognized by critics and readers alike as a classic, helps to explain men to women, and men to men. Rob is good on music: he owns a small record shop and has strong views on what’s decent and what isn’t. But he’s much less good on relationships. In fact, he’s not at all sure that he wants to commit himself to anyone. So it’s hardly surprising that his girlfriend decides that enough is enough